The Human Drive
What is
it about the human condition that has us relentlessly yearning for meaning? It’s
a theme, manifest throughout pages of literature that transform into social commentaries.
The human soul is unremittingly searching for something to fill the void – for truth
and knowledge. And lastly, it requires approval, a dangerous and longing
approval.
Throughout all the different novels
I read over the summer, it was a repeating theme, molded according to the
story. In Frankenstein, Victor
thirsts for knowledge and accomplishment hoping to allow inanimate object life.
In The Great Gatsby, Gatsby spends
his whole life trying to gain Daisy’s approval by involving himself into a
lavish life that he was sure she would find impressive. In The Alchemist, young shepherd Santiago goes on a journey to find
his treasure and true destiny. It’s almost peculiar that this idea shows up in
different time periods over and over again. If this type of literature shows up
time and time again, it must obviously represent something about the nature of
the human condition. Maybe it’s something we don’t realize because it’s so
inherent, or maybe it’s something we choose to ignore because it’s so
conspicuous.
Authors mold things – they morph
them and distort them to make their point. They conceive what others do not –
they’re revolutionaries in human thought. It must reflect something to come up
numerous times, it’s something to contemplate about the human self. In much literature,
the humans are pursuing their own ambitions of finding themselves, or finding
their own meaning, of attaining what others may normally not. This human drive, from our surroundings to our own
selves becomes such a deep part of us, so existent, that literature it written
to reflect it. I thought it was definitely interesting to notice these
handpicked themes that ran through many examples of literature.
But this has not only come to reflect
ideas in literary fiction; commercial fiction grabs these ideas to publicize
these qualities of human nature as well. These ideas come in the form of a
journey, a mission, or a quest. They come through emotional changes, societal
changes, and the change of nature. In the Harry
Potter series, main character Harry is always searching to find the truth
about his parents, and he is in the process creating his own destiny, and in
essence, his meaning. In The Perks of
Being a Wallflower, Charlie confides in an eventual truth that he had been unconsciously
searching for about his aunt. These books reflect our nature, in the way our
nature reflects our being.
With no doubt, literature is
subjective. But its subjectivity allows the human mind to think differently,
innovatively, and contemplate the meaning of someone else’s work. While reading
Frankenstein, I realized how I found
similarities in other books, books I could have never imagined. When someone
thinks of Frankenstein, they don’t
think of The Alchemist, and when
someone thinks of The Alchemist, they
probably don’t think of Harry Potter.
I definitely
found this distinct connection between novels worth noting…and I’ll definitely
be noting the next time I’m wrapped up in a good book.
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